On our recent trip to Liverpool, we were pleasantly surprised to learn that it's an incredibly vegan-friendly city. It seemed like every restaurant had a sign in their window advertising 'vegan options!' and I was HERE for it. In addition to our fancy lunch at the Art School restaurant, which you can read about here, we had time for a dinner and a brunch during our short jaunt through the city. We decided on the truly phenomenal Maray restaurant for dinner, and the very pleasant and bright Our Kitchen for brunch. I didn't expect the food here to be so good, but I'd honestly be pretty happy if circumstances brought us back to Livpoooo for a future visit just so I could eat at these places again. 
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It’s Theatre Thursday! Today we are talking about the musical Fun Home, which is playing at London’s Young Vic until September 1.

I haven’t been this nervous about a show in a long time. Experiencing the original Broadway production of Fun Home in 2015 was one of the most magical theatrical moments I’ve had. Everything about it was absolute perfection, including the first truly great use of the Circle in the Square Theatre’s setup in the round. I worried that the show would lose some of its power and emotional depth without that original cast that I so adored, without the circular theatre, without the extra tinge of greatness that Broadway musicals tend to have. Fortunately, Fun Home is in good hands at London’s Young Vic theatre, such good hands that I was dehydrated for days from all the crying.

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Almost one year ago, as we traveled across China by train, we were arriving in Xi'an to see the famed Terracotta Army and its thousands of impressive underground Warriors. If you followed along that journey, or just read that post, you know that seeing the Terracotta Warriors in Xi'an, although clearly amazing, was quite the harrowing experience. See, China has a lot of people. And most of those people were also trying to look into the excavated pits to see some of the Warriors when we were. To be fair that was our fault for going in August. We didn't get the best view, and it was probably the most stressed out I've ever been. Haha that's not true I'm stressed out all the time but still, wow. So when we heard that the Terracotta warriors (not all; there are thousands) were going on tour, and one of those tour stops would be Liverpool, we thought 1) jfc we went all the way to Xi'an to see them and they are coming a mere two hours from home?? 1b) it's okay Xi'an was amazing and it was worth going, and 2) we should go to Liverpool and see our old friends again! So we did. And we liked it, and we loved it. 
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​​When we visited Liverpool recently, we enjoyed a capital-L Lunch like the sort my girl Stritch would sing about at the Art School Restaurant, an upmarket place serving fancypants tasting menus. The restaurant famously offers vegan versions of these menus, so we were like hell yes, fire that sucker up and throw it at my face. Headed by chef Paul Askew, the Art School is consistently listed on Best Of UK restaurant lists and is featured in the Michelin guide. It was also on some of PETA’s ‘Best of UK’ lists for fine dining and even though PETA is trash, I decided to pay it a visit. We booked in and thought ‘hey even if it’s not great at least I can blog about it’ and so here we are. Overall, we had a very nice lunch, although the food needs a little bit of work before I’d be comfortable recommending dining here at its current prices. 
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​It’s Theatre Thursday! Today we are talking about “Bring it On: The Musical”, currently at London’s Southwark Playhouse until September 1.

As if anyone would be surprised that yet another Lin-Manuel Miranda musical is brightening up London, his collaborative 2011 musical “Bring it On” provides a much-needed jolt of silly fun to this theatre scene. Inspired by that beloved Kirsten Dunst movie with that incredible performance-based ending topped only by that of “Center Stage” in all of cinematic history, “Bring it On” looks into the world of competitive high school cheerleading while trying to tackle racism, bullies, friendship, teenage romance, accepting yourself, growing up, and fitting in. Does it succeed in doing all that? God no! Is this show insanely enjoyable and entertaining and will you have a huge smile on your face (most of the time) even though it’s overreaching with the sentimentality? Hell yes! 
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​August can be such a boring, dead month – everyone is on holiday, work is slow, so many things are closed, and this summer in particular it’s too hot to want to do anything. Thank goodness that London is overflowing with great theatre to see, even in these dog days of summer. This time of year can be a quiet time for theatre, as the big awards-focused shows haven’t opened yet and many of last season’s best have already closed. But luckily this August has lots of exciting, mostly new musicals. Before the incredibly exciting premieres of, for example, the gender-swapped “Company” (with Patti LuPone! PUT THOSE PHONES AWAY!) and Broadway’s heartrending darling “Come From Away”, there’s plenty to see right now on the West End and off.
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​Fourteen months ago, we embarked upon the most insane adventure yet. About 10 months ago, we ended that trip with a short jaunt through one of our favorite cities, Berlin. That's right people, this is the last post for our sabbatical adventure. After such exhilarating, exhausting travels, ending our nearly 4 months of being dirty and hungry (not really) (but kind of) in Berlin would be a relaxing treat for us. It's a city we know well and love, one we didn't have to frantically rush around in order to see all the big tourist attractions, and - most importantly - the one that would have all the vegan food I could want, including my first real vegan ice cream in almost 4 months. Yup, I went the entirety of last summer without good (non-fruit sorbet) ice cream (by the time we got to Berlin, it was fall). I'm sure I don't have to tell you that this summer I've been more than making up for that nonsense, but that's not what we're here to talk about today. No, today we are pretty much going to be looking at pictures of all the junk I ate in 24 hours in Berlin. (If you want a tourism guide, go here: Berlin Travel Guide)
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It’s Theatre Thursday! Today we are talking about ‘Consent’ in London’s West End, playing at the Harold Pinter Theatre until August 11. 

​The last time I was in London’s Harold Pinter Theatre was for the sublimely disappointing ‘Oslo’, which featured just as much screaming as ‘Consent’. However, the key difference is that the screaming in ‘Consent’ feels earned, and completely necessary. (Hey while you’re here open that ‘Oslo’ review in a new tab because it’s remarkable.) Also making this an entirely different experience? ‘Consent’ was riveting. This well written, incisive new play by Nina Raine made me feel miserable the entire time, but in a great way that good plays are supposed to. It’s timely (I don’t want to be the 1000th reviewer to mention the #MeToo movement in a review for this play but look I just did), it’s well acted, and it will make you feel like everything is hopeless and everyone is a monster and it’s best to just sit in the dark alone quietly for most of your life. Like a good play should! 
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​It’s Theatre Thursday! Today we are looking at London’s production of “School of Rock”, now playing at theGillian Lynne Theatre on Drury Lane.

​With the recent news that Broadway’s production of “School of Rock: The Musical” will close in January, I wanted to see how the West End production is doing almost two years since it opened. It’s easy for a long run to get sloppy (and by easy I mean expected), but with a show like this I knew it would still be a fun time. On this (sweltering hot) summer weekday matinee, I went in fully expecting crowds of kids on their summer break, loud and raucous and annoying, but they were actually fine and as usual it was their parents who didn’t know how to behave. But I put on my blinders and focused on the stage, and I enjoyed myself immensely. The performers are giving it their all, and although they do indeed need a refresher from the director on a few points, it was overall a solid production. 
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It's Theatre Thursday! I saw "Spongebob" on Broadway and we're gonna talk about it! It closes September 16.

​He’s says he’s ‘not a simple sponge’…but he kind of is. And although fans of this season’s new Broadway musical “Spongebob Squarepants” will say that people of all ages can enjoy the show (and that’s true, they will), it was created for kids and that’s who it’s geared towards and that’s who I am and that’s who I care about. Okay not the last two bits I got carried away. “Spongebob” the musical is a lot of fun, and a technical marvel, but it’s a bit of a letdown for adults. And considering adults have to accompany the screaming children (yes they did scream) to the theatre and buy at least two tickets, the profit-making model for this show doesn’t really work. Unlike Disney shows from the past, the adults aren’t given equal consideration here, and so few adults will be present without children (I think my sister-in-law and I were the only unaccompanied adults when we saw it). And while it’s very sad news, I’m not surprised that the show just announced that it will be closing in September, because it takes a lot of rich people to decide to spend $100+ on taking their kids to see this when they’ve been watching the TV show for free for years. 
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