​It’s Theatre Thursday! We’re talking about Othello, playing at Shakespeare’s Globe in London until October 13.
 
Othello is a bananas insulting play. We don’t need to hold Shakespeare to the standards of modern society in terms of equality (mainly feminism (and racism) (okay all equality kinds)) because the 400 year difference in eras makes that a fool’s errand, and pretty much all of Shakespeare’s works can be excused as ‘old-fashioned’ or ‘a product of its era’ in terms of equality and feminist ideals. But, hoo boy, Othello is a special one. It’s been a minute since I read it, so the details outside of ‘bad man convinces other man that wife is cheating and should die’ had fled my mind, but now that my memory has been refreshed, well there’s not much more I’d add to that gist. Not the most progressive stuff in this day and age, but the current production at the Globe, starring my man Mark Rylance, is faultless (other than the plot obvs), and it’s a must-see for any fans of Shakespeare, Mark, and/or theatre. What a fantastic production that will make you feel like you just got punched in the throat. 
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​Like most everything in our world right now, the Emmy Awards are trash. I don't know what the voters have been smoking, probably weed with Elon since they are also mostly rich white men who can get away with it, but their annual nonsense is upon us again. The problem with the Emmys is that voters take too long to catch up to what is actually good, and when they do, it's too late and the thing is no longer the best but they're too lazy and proud of themselves to change their voting habits for another four years. They get stuck in ruts, they have old-fashioned taste, and most of all they don't actually watch everything so they JUST DON'T KNOW. Honestly make me an Emmy voter, I know what's up, and I'm going to share with you what should be winning this worthless award that I care so much about on Monday night. 
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It's Theatre Thursday! Today we are talking about "The Humans", which is at London's Hampstead Theatre until October 13.

​As summer plays close and the new season slowly gets into gear, London’s drama scene got a much needed infusion of American greatness with the Broadway transfer of “The Humans”. Stephen Karam’s 2015 work about an ordinary American family and the hardships they face individually and together comes to London’s Hampstead Theatre with its Broadway cast intact, along with my favorite Broadway director-that-I-once-saw-give-one-of-the-best-acting-performances-ever-in-The-Normal-Heart-but-that’s-neither-here-nor-there, Joe Mantello, still at the helm. Winner of the 2016 Tony Award for Best Play, “The Humans” seems like the basic story of a typical family at first, but its brilliance lies in nuance and individual interpretation that will have you contemplating it endlessly.​
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​It’s Theatre Thursday! Today we are talking about “Home, I’m Darling”, which ended its run on September 5 at London’s Dorfman Theatre. 

In the opening scene of the wonderful new play “Home, I’m Darling”, you’re quickly transported to the 1950s, watching a “terribly happy”, no, “appallingly happy!” husband and wife go through their morning routine: the full-skirted wife in her brightly colored period-perfect kitchen dotes on her husband and serves him his perfectly toasted toast, his perfectly made tea, before bidding him farewell as he gathers his hat and briefcase and sets off for the office. It’s all very first-half-of-‘Pleasantville’, until the wife slumps into her chair and pulls out a silver MacBook from a drawer. With that flawless introduction, we know we have this couple not in the ‘50s, but living today, among us, who are actively choosing to live like they are stuck in the past. Why they would do this and how happy they could really be are the first questions that spring to mind, of many, and this play does a marvelous job of answering them.
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It’s Theatre Thursday! Today we are talking about ‘It Happened in Key West’, which played at London’s Charing Cross Theatre this summer.

See how nice I’m trying to be nowadays with my wording? I could have said, like all the other critics, “this is not good”, but no, it’s actually “full of potential”. It’s because I’ve been watching ‘The Good Place’ so much, like over and over (BSE). Whoever said television can’t make you a better person was full of shirt. I want to talk about ‘It Happened in Key West’, even though the London production is now closed, because it has the ability to be a much better show if the creators put more work into it. I really believe that there is nothing but potential for this truly original romantic comedy musical (something that the boards really need right now) to be a success, but that’s if the creators treat the Charing Cross run as a test, learn what worked and what didn’t, and make the necessary improvements without being precious about protecting the work they’ve made thus far. The show needs new songs and a good dramaturg to nail the right tone instead of leaving it the wavering muddle it is at this stage. As it is, it’s not a bad show; it was quite entertaining. But it could actually be good.
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It's Theatre Thursday! Today we are talking about Ontroerend Goed's interactive theatrical play LIES, which played London's Almeida Theatre this summer.

​​Capitalism is the devil, right? Down with capitalism? And down with big too-big-to-fail banks and fake money scams that don’t make any sense but that our entire global economy depends on, right? Yes, right, unless you’re the one making that money. Then your clear moral vision gets a little cloudy and it gets harder to say ‘no stop all of these terrible things that are destroying the world!’ because you’re too busy making like Mona Lisa Saperstein and saying “MONEY, PLEEEEEASE”. At least this is the moral of the story at LIES, the interactive theatre experience that ran at London’s Almeida Theatre until last Saturday (sorriessss all that cash has destroyed my ability to care that y’all missed it).
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For our recent anniversary (aw thanks), Husbo and I returned to one of our favorite fancy restaurants in London, The Clove Club. We celebrated our anniversary there two years ago, and this year we decided to shake our shoulders like Danny Burstein’s adorable Tevye and make a tradition of it. You might recall that last year, we were on a train to Chengdu for our anniversary, which was prettay prettay disgusting. To make up for that (plus 98% of all our train experiences last year), we splurged on this super extravagant dinner again. The Clove Club is one of the few Michelin-starred restaurants in London that will offer a worthwhile vegan tasting menu, so it always comes to mind first when we are considering super swanky restaurants. 
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On our recent trip to Liverpool, we were pleasantly surprised to learn that it's an incredibly vegan-friendly city. It seemed like every restaurant had a sign in their window advertising 'vegan options!' and I was HERE for it. In addition to our fancy lunch at the Art School restaurant, which you can read about here, we had time for a dinner and a brunch during our short jaunt through the city. We decided on the truly phenomenal Maray restaurant for dinner, and the very pleasant and bright Our Kitchen for brunch. I didn't expect the food here to be so good, but I'd honestly be pretty happy if circumstances brought us back to Livpoooo for a future visit just so I could eat at these places again. 
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It’s Theatre Thursday! Today we are talking about the musical Fun Home, which is playing at London’s Young Vic until September 1.

I haven’t been this nervous about a show in a long time. Experiencing the original Broadway production of Fun Home in 2015 was one of the most magical theatrical moments I’ve had. Everything about it was absolute perfection, including the first truly great use of the Circle in the Square Theatre’s setup in the round. I worried that the show would lose some of its power and emotional depth without that original cast that I so adored, without the circular theatre, without the extra tinge of greatness that Broadway musicals tend to have. Fortunately, Fun Home is in good hands at London’s Young Vic theatre, such good hands that I was dehydrated for days from all the crying.

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Almost one year ago, as we traveled across China by train, we were arriving in Xi'an to see the famed Terracotta Army and its thousands of impressive underground Warriors. If you followed along that journey, or just read that post, you know that seeing the Terracotta Warriors in Xi'an, although clearly amazing, was quite the harrowing experience. See, China has a lot of people. And most of those people were also trying to look into the excavated pits to see some of the Warriors when we were. To be fair that was our fault for going in August. We didn't get the best view, and it was probably the most stressed out I've ever been. Haha that's not true I'm stressed out all the time but still, wow. So when we heard that the Terracotta warriors (not all; there are thousands) were going on tour, and one of those tour stops would be Liverpool, we thought 1) jfc we went all the way to Xi'an to see them and they are coming a mere two hours from home?? 1b) it's okay Xi'an was amazing and it was worth going, and 2) we should go to Liverpool and see our old friends again! So we did. And we liked it, and we loved it. 
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