Last week, I got to see “Hamilton” again. I’m very lucky to have seen it multiple times because, well first of all because it’s the best, but secondly, and more importantly for our purposes here, there’s not much that reviews coming out at this point can say about this show so it’s great to talk instead about how this production is evolving. If I read one more London critic reviewing it anew now and making a “I got to be in the room where it happened’ joke I will vomit. Well first I’d find out where he got his morning coffee and I’d throw it in his face (not when it’s too hot of course I’m not a monster) and I’d be like DID YOU THINK YOU WERE BEING ORIGINAL??? And then I’d vomit. Luckily we don’t have to get into all the details about what this show is about or the basics of the elements because I’m prettayyy prettayyy sure you know already, and if you don’t you can read past reviews here and here. So we get to talk about the London production and how it has improved, or worsened, since it was in previews.
READ IT ALL!